What is this life if, full of care, We have no time to stand and stare.

Category: History

Medieval Religion, The Reformation, Ecclesiastical History, Medievalism, Romanticism, Victorian Gothic, Pugin, History of Madness, Asylums, Wiltshire, Scotland.

Augustus Pugin’s Salisbury Period

This blog provides a brief summary of a longer article to be published in November 2023 by the Sarum Chronicle, and a detailed publication planned for later in 2024, regarding Augustus Pugin's time in Salisbury, early in his career, where a number of significant achievements were to prove the foundation for so much of what he went on to achieve.

Augustus Pugin was England’s most influential architect and designer of the mid 19th Century, and the early leader of the Victorian Gothic Revival. Early in his architectural career, during the winter of 1834-35, Pugin moved to Salisbury in Wiltshire. He spent around three years living and working there

During the time he spent in the Wiltshire city, Pugin lived in his first designed and built residence, changed faith to Roman Catholicism, worked on competition-winning plans for the new Houses of Parliament, and published the first edition of what was to be his most controversial and influential book, Contrasts. As will be shown in my forthcoming 2023 article and 2024 publication, his achievements during his time there were so significant that they merit consideration as being more explicitly identified as a defined period of his work: Pugin’s Salisbury Period.

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The Dauntsey Doom

Wiltshire's Medieval Doom Board Painting

Probably dating from the mid 15th Century, the Doom at the Church of St James the Great in Dauntsey, North Wiltshire, is one of only five such paintings on wooden boards in England. Portraying The Last Judgement, the Doom was restored in the 1990s and sits where it was first positioned around six hundred years ago over the rood screen between the nave and chancel of the church.

The Dauntsey Doom

Wiltshire has two significant Doom Paintings, one at Dauntsey, the subject of this blog, and the other in Salisbury. Whilst the latter is the county’s most artistically impressive Doom, painted on the chancel arch of St Thomas’s Church, it is the Dauntsey Doom that is for me the more interesting of the two. Having studied it during my recent Masters Degree in Medieval Studies, and also having given a public talk on it at the church in 2023 to nearly a hundred people, I wanted one of my first posts on this website to be about the Dauntsey Doom.

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